Prof. Dr. Bettina Friedl
Professor for American Studies
retired
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Curriculum vitae
Bettina Friedl is Professor emerita of American Literature and Culture at Hamburg University. She received her doctorate (English) from Heidelberg University and her habilitation (American Studies) from Tübingen University. She taught at the universities of Heidelberg, Mainz-Germersheim, Mannheim, Tübingen, Stuttgart, and Greifswald. She was a Postdoctoral Fellow at Yale University in 1973–1974. As an American Studies Fellow of the American Council of Learned Societies, she was a Fellow at the Mary Ingraham Bunting Institute of Harvard University in 1983–1984. In 1996 and again in 2002, she taught as a Visiting Professor at Smith College. As a Visiting Scholar at the Center for the History of American Civilization, she spent 2001–2002 at Harvard University. Bettina Friedl’s earlier presentations and publications focused on American literature of the 19th and 20th centuries. In the past two decades, her research interests shifted towards documentary film, to aspects of visual culture, and particularly to dress and fashion art.
Prof. Friedl is retired since 2005.
Publications
Books
- On to Victory: Propaganda Plays of the Woman Suffrage Movement. Boston: Northeastern University Press, 1987; Paperback edition 1990. 378 pp. [Edited, and with an interpretative introduction].
- Film und Literatur in Amerika. Darmstadt: Wissenschaftliche Buchgesellschaft, 1988. 266 pp. [Edited together with Alfred Weber].
- Joseph C. Schöpp, Deciphering the Darkness of the Past: Essays zur amerikanischen Literatur, ed.: Bettina Friedl, Trier: Wissenschaftlicher Verlag Trier, 1999.
Essays
- "Frauen in der Literatur." In Einführung in die amerikanische Literaturgeschichte: Vortragsreihe des Deutsch-Amerikanischen Instituts Heidelberg, 1978/79. Ed. J. Jakob Köllhofer. Bonn, 1979, pp. 246-278.
- Werkbeiträge zu William Styrons Romanen für das Lexikon der Weltliteratur. Bd. II: Werke. Ed. Gero v. Wilpert. Stuttgart: Kröner, 1980.
- "The 'New Woman' as Picaresque Heroine in American Fiction, 1900-1917." Bunting Institute Colloquium Series. Cambridge, Mass.: The Mary Ingraham Bunting Institute of Radcliffe College, 1984. 26 pp.
- "Dichtung als Institution: Die fireside poets Bryant, Whittier, Longfellow, Holmes und Lowell." In Die amerikanische Lyrik. Ed. Rudolf Haas. Berlin: Schmidt Verlag, 1987, pp. 38-61. [With Herwig Friedl].
- "'Vicarious Participation': Hollywood in American Fiction." In Film und Literatur in Amerika. Ed. Alfred Weber und Bettina Friedl. Darmstadt: Wissenschaftliche Buchgesellschaft, 1988, pp. 189-212.
- "The Stability of Images and the Instability of Things in E. L. Doctorow's Ragtime. In E. L. Doctorow: A Democracy of Perception. Ed. Herwig Friedl and Dieter Schulz. Essen: Blaue Eule, 1988, pp. 91-104.
- "The Misreading of DAISY MILLER as Re-Vision: Henry James's PANDORA." In The Magic Circle of Henry James. Ed. Amritjit Singh and K. Ayyappa Paniker. New York: Envoy Press, 1989, pp. 8-20.
- "The Verge of Being: Edith Wharton's 'Pomegranate Seed'." In Die englische und amerikanische Kurzgeschichte. Ars Interpretandi. Ed. Klaus Lubbers. Darmstadt: Wissenschaftliche Buchgesellschaft, 1990, pp. 120-133.
- "Die Inszenierung im Spiegel: Aspekte des Pikarischen bei Theodore Dreiser und Edith Wharton." In Frauen und Frauendarstellung in der englischen und amerikanischen Literatur. Ed. Therese Seidel. Tübingen: Gunter Narr Verlag, 1991, pp. 217-234.
- "Tracing History: F. Scott Fitzgerald's 'Bernice Bobs Her Hair' and the Panorama of Social Change." Literatur in Wissenschaft und Unterricht 24.3 (1991): pp. 225-39.
- "Halsted Street: Annäherung an die Stadt," Amerikastudien/American Studies 37.1 (1992): pp. 37-50. [Special Edition "Großstadtdarstellungen im amerikanischen Dokumentarfilm," ed. Eva-Maria Warth & Gisela Welz.]
- Werkbeiträge zu Edgar Allan Poe, Toni Morrison, E.L. Doctorow und Anita Loos für das Lexikon der Weltliteratur. Bd. II: Werke. Ed. Gero v. Wilpert. Stuttgart: Kröner, 1993.
- "Die Grenzen des Bildes: Der Dokumentarstil der dreißiger und sechziger Jahre im Vergleich." In Der amerikanische Dokumentarfilm: Herausforderungen für die Didaktik. Ed. Lothar Bredella and Günter H. Lenz. Tübingen: Gunter Narr Verlag, 1994, pp. 151-65.
- "Metamorphosen des Weiblichen: Lisa Althers Kinflicks und Cindy Shermans (Selbst-)Porträts." In Zwischen Schrift und Bild: Entwürfe des Weiblichen in literarischer Verfahrensweise. Ed. Christine Krause, Sylvia Mayer, Margret Schuchard and Agnes Speck. Heidelberg: Mattes Verlag, 1994, pp. 157-90.
- "'Dressed for Success': Das Prinzip Mode im amerikanischen Roman des Realismus." In Maskeraden: Geschlechterdifferenz in der literarischen Inszenierung. Ed. Elfi Bettinger & Julika Funk. Geschlechterdifferenz & Literatur, 3. Berlin: Erich Schmidt, 1995, pp. 211-29.
- "The Peale Family: On the Beginnings of a Democratic Art and Aesthetics in America." In Democracy and the Arts in the United States. Ed. Alfred Hornung, Reinhard R. Doerries, and Gerhard Hoffmann. Munich: Fink, 1996, pp. 145-62.
- "Müll und Mangel als Inszenierungsprinzipien in Ralph Steiners Pie in the Sky (1935)." In Soziale Konflikte und Reformstrategien: Repräsentationsformen im Dokumentarfilm der USA. Ed. Michael Hoenisch. Trier: Wissenschaftlicher Verlag Trier, 1996, pp. 31-46.
- "Creating Order: Arranging Objects into Meaning in Raphaelle Peale's Still Lifes of the Early Nineteenth Century." In Negotiations of America's National Identity. Ed. Roland Hagenbüchle and Josef Raab. Tübingen: Stauffenburg Verlag, 1999, S. 50 - 77.
- "Fashion and/as Art: Dress as Artistic Expression in Modernism." In: Transatlantic Modernism. Hg. Martin Klepper & Joseph C. Schöpp. Heidelberg: Winter Verlag, 2001, pp. 191-219.
- "Wearable Art: The Complication of Art through Fashion in the Sixties" In: The Sixties Revisited: Culture - Society - Politics. Eds. Jürgen Heideking, Jörg Helbig and Anke Ortlepp. Heidelberg, Winter Verlag, 2001, p. 61 - 97.
- "Der Entwicklungsroman in Amerika: Transatlantische Varianten.", in: Der Entwicklungsroman in Europa und Übersee, Eds. Heinz Hillmann and Peter Hühn, Darmstadt: Wissenschaftliche Buchgesellschaft, 2001, p. 85 - 105.
- "Indisches Essen in Iowa: Die Bedeutung des Kochens in der zeitgenössischen indisch-amerikanischen Literatur", In: Erlesenes Essen: Literatur- und kulturwissenschaftliche Studien zum Essensmotiv. Ed. Christa Grewe-Volpp & Werner Reinhart. Mannheimer Beiträge zur Sprach- und Literaturwissenschaft. Tübingen: Narr, 2003, pp. 109 - 126.
- "Puritan Dress Code and the Matter of Fashion", In: Colonial Encounters: Essays in Early American History and Culture. Ed. Hans-Jürgen Grabbe. Heidelberg: Winter, 2003, pp. 197 - 220.
- "The Hybrid Art of Fashion Photography: American Photographers in Post-World War II Europe." Special issue of Amerikastudien/ American Studies, eds. Astrid Böger and Christof Decker, 52:1 (2007): 47 - 62.
- "Appearances: The Cultural Significance of Women's Clothes in Henry James's Short Fiction." Special issue of Journal for the Study of British Cultures on "Fashioning Society," eds. Christian Huck and Susanne Scholz, 14:2 (2007): 125 - 137.
- "Social Masquerade: the Code of Dress and the American Novel of Manners." In: Civilizing America: Manners and Civility as Categories of Social, Cultural, and Literary Analysis. Ed. Dietmar Schloss. Heidelberg: Winter, 2009, pp. 215 - 227.
- "Philip Freneau: The Hurricane - Der Sturm nachrevolutionärer Unbilden." in: Lyrik im historischen Kontext: Festschrift für Reiner Wild. Ed. Andreas Böhn, Ulrich Kittstein and Christoph Weiß. Würzburg: Königshausen & Neumann, 2009, pp. 105-113.
- "Emotions and Nineteenth-Century American Art." In: Emotions in American History: An International Assessment. Ed. Jessica C.E. Gienow-Hecht. New York/Oxford: Berghahn Books, 2010, pp. 158-178.
- "Malerei in Amerika, 1670-1980." in: Visuelle Kulturen der USA. Zur Geschichte von Malerei, Fotografie, Film, Fernsehen und Neuen Medien in Amerika. Ed. Christof Decker. Bielefeld: Transcript-Verlag, 2010, pp.15-98.
- "The Self-Presentation of the Woman Intellectual in 18th- and 19th-Century Portraiture."